Synopsis

Ricardo Pinto de Magalhães is also a returning filmmaker, this time with a natural follower to his Jean-Pierre Léaud will forever be one of the great icons of cinema. His youth was made eternal by the freeze frame in Les Quatre Cents Coups, and is in direct contrast with the natural aging process of the actor, with the man himself often reflecting about his own maturation, in particular in Albert Serra’s La Mort de Louis XIV. This film essay composed by loose images creates a contrast between work full of life and anger, even in its
static image form, and a live-action film that appears to be frozen e witnessing its own disappearance.