This week, we highlight films from Brazil, from Germany and from the United States.
Don’t Call Me Son, Anna Muylaert (Brazil)
Synopsis: After discovering the truth about being stolen by the woman he thought was his mother as a child, Pierre (AKA Felipe) must deal with the consequences of his mother's actions and must try to cope with his biological family.
Toni Erdmann, Maren Ade (Germany, Austria)
Synopsis: Winfried doesn't see much of his working daughter Ines. He pays her a surprise visit in Bucharest, where she's busy as a corporate strategist. The geographical change doesn't help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried's flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines' work circle, claiming to be her CEO's life coach. As Toni, Winfried doesn't hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life.
20th Century Women, Mike Mills (USA)
Synopsis: During the summer of 1979, a Santa Barbara single mom and boardinghouse landlord (Annette Bening) decides the best way she can parent her teenage son (Lucas Jade Zumann) is to enlist her young tenants - a quirky punk photographer (Greta Gerwig), a mellow handyman (Billy Crudup) and her son's shrewd best friend (Elle Fanning) - to serve as role models in a changing world.