Alongside the many competitive sessions, FEST also includes a series of thematic screenings, expanding the scope of the event into other fields and spectrums. From regional retrospectives to new media formats, the demarcation lines that separate space, time and film are challenged to its core.
In our 16th edition, nothing less could possibly be expected.
Our opening and closing sections have often been the highlights of our programs.
Films such as Tangerine by Sean Baker (USA), Everybody Knows by Asghar Farhadi (Iran), 10.000 KM by Carlos Marques Marcet (Spain), Birth by Jonathan Glazer (UK), Tom of Finland by Dome Karukauski (Sweden/Finland), Dementia 13 by Francis Ford Coppola (USA) or Wes Anderson's debut feature, Bottle Rocket (USA), have caught everyone’s attention, starting and closing our previous editions in great style.
2020 will be no exception. And throughout the week, the event will showcase several other productions and formats, including screenings directly focused on children, teenagers and the elderly, completing our special screenings program in all the right ways.
Flavours of the World
With such privileged access to so many productions by new filmmakers from all around the world, different sorts of narratives begin to take shape quite naturally.
This quickly becomes apparent when some countries are particularly proficient in creating a good setting for the launch of new artists and the birth of new cultural movements. Sometimes it’s the sheer number of new directors appearing in a short period of time; other times it is the nature and power of the themes and perspectives on display; and in some cases it is the plain weirdness and surprise at unlikely areas who, out of the blue, find themselves in the vanguard of the cinematic world.
And from the need to let our audience discover these cinematography and global phenomenons, the Flavours of the World section was born. The section consists of short film regional retrospectives. In the recent past, several of the names that are now on the tip of many tongues in the international film industry were first brought to the attention of FEST audiences.
Artists like Radu Jude (Romania), Renata Gąsiorowska (Poland), Jacqueline Lentzou (Greece), Behzad Azadi (Iran), Tudor Cristian Jurgiu (Romania), Andrea Harkin (Rep. Ireland) or Konstatina Kotzamani (Greece) are just a few examples. We have previously covered countries like Norway, Puerto Rico, Canada, Sweden, Austria, Japan, Belgium, Lithuania or Iceland.
The region that will be under the spotlight in 2020 will be announced soon.
Be Kind Rewind
With so much focus on the future of cinema, you would tend to think that FEST has a one-track mind. Well, you’d be wrong.
Without understanding the past you’ll hardly get a proper sense of the future, and to make sure the past is not forgotten we created Be Kind Rewind, a section focused on retrospectives and/or thematic screenings, covering all sort of issues.
In the recent past, this section has been dedicated to subjects such as the Role of Women in Filmmaking, different political movements, the insanity of North Korean cinema, or simply deeper looks into the filmography of artists such as LM Kit Carson, among others.
For this new year of 2020 we are preparing something very special for you.
Coming as a new addition to FEST 2020, the town of Espinho will be hosting a screening room in a Drive-In format, that will have sessions twice a day.
The film program choices are divided into two genres: comedic film screenings in the early evening, and the Midnight Sessions with horror and fantasy films, not for the faint of heart.
Taking place at Nave Desportiva de Espinho's parking lot, the Drive-In will have a capability of, approximately, 50 cars and a pre-reservation for the email firstname.lastname@example.org o telephone number 227 327 545 will be required. You will be asked to submit your name, contact information, and the license plate of the car you might bring.
At the time of the reservation, please state clearly if you intend to book your spot for the first screening, the second screening, or for both.
In case of any alteration in the initial reservation data, we kindly ask you to inform us by email or telephone contact. Reservations that might be incoherent with the data are given can be subject to annulment.
We promise good cinema, with all the commodities your car may allow. The rest is up to you!